I am very interested in the work of Wade Guyton, and the way he uses digital technologies, such as printers and scanners in order to create his works, which show irregularities and mistakes, highlighting such so that they become the subject of the work, with the materiality of the process being absolute to the finished art object.
Guyton creates his works by feeding linen and other materials into an inkjet printer the printer is not designed to work with materials that are grained or uneven, and therefore, streaks, lines, marks and colour irregularity can occur. These accidents due to the nature of the printer cannot be predicted, and therefore each work is unique, proving the ability for an image of difference within the digital realms where images exist in simulacra, repeated and repeated and repeated.
I like the way in which you can see the clear line of the ink toner running out within some of the images, as well as the way in which there are clear colour fades or bleeding which help enhance the image to become truly one with its method of existence – it owes itself to the printer which gave it its deformities. I my own work, I would like to explore the deformities of the regular printer – not by printing on irregular materials, but rather by accepting the natural irregularities of photo printing. I do not want my block colour prints to be perfect, but rather will seek to display the natural colour bleeds or lines, in order to show the way in which my display has arisen from my own investigations – not professionally printed, but rather more personal – a compulsion in order to act and display my research.