Artist Inspiration – Susan Hiller

Artist Influence, Artist Influences, Studio, Uncategorized
susan-hiller_belshazzars_feast_3

‘Belshazzar’s Feast’, 1983-84. 20-minute single-screen installed video programme

susan-hiller_dream_screens

‘Dream Screens’, 1996. An interactive audio-visual work for the internet, in several languages, and with downloadable artist’s book, list of source materials, etc

susan_hiller_ten_months

‘Ten Months’, 1977-79. 10 b/w composite photographs, 10 texts, arranged sequentially

susan_hiller_gertrude_stein

‘Lucidity & Intuition: Homage to Gertrude Stein’, 2011. Art Deco writing desk containing a collection of modified books on automatism and related issues; with dossier by Susan Hiller

susan_hiller_dream_mapping_02

‘Dream Mapping’, 1973

susan_hiller_psi_girls_intro

‘Psi Girls’, 1999. Video installation, 5 synchronized programmes with audio, looped

susan_hiller_sisters_of_menon

‘Sisters of Menon’, 1972 -79

Susan Hiller is an artist whose work I find endlessly engaging and compelling. Her work centres around dichotomy of the unconscious and the conscious, the rational and irrational, as she deals with subject matter such as dreams, ‘Dream Mapping’, automatic writing, ‘Sisters of Menon‘, and paranormal activity, ‘Psi Girls’. She regards her work as ‘paraconceptual’, connected to both conceptualist tendencies in art and elements of the spiritual or paranormal, which is often perceived as a devalued basis from which to make work, exclusively regarded as a feminine topic, as it was not deemed worth the seriousness for the focus of patriarchal art. However, Hiller takes these ideas of the uncertain and unstable and cements them through her sometimes investigative practices.

For example, with ‘Dream Mapping’, Hiller bridged the boundary between performance and experiment as she had seven participants sleep within “fairy rings” (circles formed by mushrooms which are present throughout English folklore) for three nights. After each night, the participants would explore and discuss their dream experiences and would create ‘dream maps’ which were compiled to form the a larger map for the total dreams experienced each night, so that shared or non-shared elements of the dream experience could be connected and seen. These larger maps formed the work.

I am interested in the way that Hiller uses investigation to form the basis of her works. In my ongoing investigation into female hysteria, I find that there is no sense of definite language or totalising certainty about the subject matter, which distinctly connects me to Hiller’s work. I like how subtle narratives are played out in her works through the tale of the investigation. In my own work, I want to be inspired by my ability to research as an act in itself and allow it to greatly inform my practice.

 

 

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